1970 was a pivotal year for the Carpenters. A study of that year’s astrological cycles will shed some light on important facets of Karen’s chart, which later, as you’ll see, resonate with points in the chart of Michelle Berting Brett. Three songs did extremely well in 1970, propelling the Carpenters to fame. In July 1970, (They Long To Be) Close To You ranked #1 on Billboard’s Hot 100. We’ve Only Just Begun made it to #1 on Billboard’s Easy Listening in October and #2 on the Hot 100. A couple months later, Merry Christmas Darling was a hit on the seasonal music chart.
Throughout 1970, transiting Uranus and Chiron were activating Karen’s Nodal Axis and her natal Mars — the latter being ruler of both 10th house of career and 5th house of creativity. Transits to the Nodal Axis typically see a shift in the relationships in our life, so no doubt Karen Carpenter had a busy year of meeting new, influential people, while at the same time letting go of relationships that were no longer supportive.
Here is an example the more positive side of Saturn — offering a reward for hard work. But we often think of transiting Saturn bringing challenges and tests. Without knowing the private side of her life, I wonder if this time did bring some hardship. Did this sudden popularity, in fact, come as a great burden?
There were two eclipses in August of 1970, just as the Carpenters became popular nationwide and beyond. The lunar eclipse mid-month was just two degrees from Karen’s Mercury at 21° Aquarius. (Mercury=voice, Aquarius=radio) The solar eclipse at the end of the month just a degree-and-a-half from her Midheaven — the chart’s point of most public acclaim. Eclipses are known to propel us forward, and the timing of these certainly aligned with Karen Carpenter’s rise to fame.
Karen’s p.Sun at 1° Aries was newly in the 10th house of career, opposing p.Mars and squaring natal Uranus. This was certainly a year for sudden advancements in her work! Progressed Venus made it to 17° Aquarius in 1970, activating the natal Leo-Aquarius oppositions, especially the natal Moon. This would be the start of some significant artistic accomplishments. The p.Moon was at 20° Taurus, squaring natal Jupiter, co-ruler of Karen’s MC. And p.Mercury (voice, communication) in Pisces (music) was conjunct the p.Midheaven. On an inner level, Karen was ready to share her message with the world.
SA.Mercury and SA.Jupiter would each, in turn, make conjunctions to her natal Sun. Her creative potential and sense of purpose would surely be heightened. Her musicianship — the skill itself — would be noticed first. Again, not knowing the details, I wonder if SA.Jupiter in Pisces brought with it some shifts on a spiritual level. Was Karen’s belief system altered in 1970? Jupiter can often bring abundance, so the timing of this aspect might simply reflect an improvement in financial status. In any case, Jupiter, as ruler of the Midheaven, certainly puts Karen in the public eye for the year.
- The Ascendant-Uranus conjunction at 0° Cancer.
- Saturn at 16° Virgo. This, by the way, was the degree of the Uranus-Pluto conjunctions of the 1960s. We could surmise that there was something about Karen’s self-expression (SA rules 5th) through words (SA in 3rd) that spoke on behalf of an entire generation of people.
- The Leo-Aquarius planets, especially Moon at 18° Leo, Jupiter at 20° Aquarius, and Mercury at 21° Aquarius.
- MC at 6° Pisces, IC at 6° Virgo.
- The 1970 progressed Ascendant of 16° Cancer.
Keep this list handy, because in Part 3, we’ll have a look at Michelle Berting Brett’s chart. The similarities are striking!